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'''Seventeen'''<ref>https://themidnight.bandcamp.com/track/seventeen</ref> is a song by [[The Midnight]]. It is the fourth track from their album [[ | {{SHORTDESC:2020 The Midnight song (Track four from Monsters)}} | ||
<div class="hidden-image"> | |||
[[File:Monsters - album.jpg|300px|thumb|]] | |||
</div> | |||
{{Infobox song | |||
| name = Seventeen | |||
| cover = | |||
| caption = | |||
| type = Song | |||
| artist = [[The Midnight]] | |||
| album = [[Monsters]] | |||
| released = {{start date|2020|07|10}} | |||
| length = {{duration|m=4|s=2}} | |||
| label = Counter Records | |||
| writer = * [[Tim McEwan]] | |||
* [[Tyler Lyle]] | |||
| producer = Tim McEwan | |||
| tracks = {{Hidden | |||
| title = | |||
| text = Monsters | |||
# "[[1991 (intro)]]" | |||
# "[[America Online]]" | |||
# "[[Dance With Somebody]]" | |||
# "[[Seventeen]]" | |||
# "[[Dream Away]]" | |||
# "[[The Search for Ecco]]" | |||
# "[[Prom Night]]" | |||
# "[[Fire In The Sky]]" | |||
# "[[Monsters (song)|Monsters]]" | |||
# "[[Helvetica]]" | |||
# "[[Brooklyn]]" | |||
# "[[Deep Blue]]" | |||
# "[[Night Skies]]" | |||
# "[[City Dreams (interlude)]]" | |||
# "[[Last Train]]" | |||
}} | |||
| misc ={{Music|link=https://bandcamp.com/EmbeddedPlayer/album=2390823575/size=large/bgcol=333333/linkcol=f81674/tracklist=false/artwork=none/track=374339440/transparent=true/}} | |||
}} | |||
'''Seventeen'''<ref name=":0">{{Cite web |date=July 10, 2020 |title=Seventeen {{!}} The Midnight |url=https://themidnight.bandcamp.com/track/seventeen |url-status=live |archive-url=https://web.archive.org/web/20211111081652/https://themidnight.bandcamp.com/track/seventeen |archive-date=November 11, 2021 |access-date=April 8, 2022 |website=Bandcamp}}</ref> is a song by [[The Midnight]]. It is the fourth track from their album [[Monsters]]. | |||
The song was written by band members [[Tim McEwan]] and [[Tyler Lyle]] and produced by McEwan. The lead guitar solo on ''Seventeen'' was performed by [[wikipedia:Daniel Davidsen|Daniel Heløy Davidsen]]. It has a running time of four minutes and two seconds and is in the key of [[wikipedia:D major|D major]]. | The song was written by band members [[Tim McEwan]] and [[Tyler Lyle]] and produced by McEwan. The lead guitar solo on ''Seventeen'' was performed by [[wikipedia:Daniel Davidsen|Daniel Heløy Davidsen]]. It has a running time of four minutes and two seconds and is in the key of [[wikipedia:D major|D major]]. | ||
In an interview with ''Magnetic Magazine'', the band described the themes of the song, its lyrical inspiration, and its evolution:<ref>https://www.magneticmag.com/2020/07/the-directors-cut-the-midnight-monsters/</ref> | In an interview with ''Magnetic Magazine'', the band described the themes of the song, its lyrical inspiration, and its evolution:<ref>{{Cite web |last=Middleton |first=Ryan |date=July 10, 2020 |title=The Director's Cut: The Midnight - MONSTERS - Magnetic Magazine |url=https://www.magneticmag.com/2020/07/the-directors-cut-the-midnight-monsters/ |url-status=live |archive-url=https://web.archive.org/web/20220328185656/https://www.magneticmag.com/2020/07/the-directors-cut-the-midnight-monsters/ |archive-date=March 28, 2022 |access-date=April 8, 2022 |website=Magnetic Magazine}}</ref> <blockquote>'''''Tim''': This is perhaps the most nostalgic song on the album for me. It was the track that took the longest to get right because it was early on in the process and it set the tone for a lot of the other tracks on the album. I wanted to drench the listener in nostalgia and wistfulness. Memories of being young and falling in love for the first time. The kind of all-consuming love that makes you want to run away together. Like it’s you against the world. I wanted to create a ton of space around Tyler’s voice so the focus was solely on the story.'' <br> <br> | ||
'''Tim''': This is perhaps the most nostalgic song on the album for me. It was the track that took the longest to get right because it was early on in the process and it set the tone for a lot of the other tracks on the album. I wanted to drench the listener in nostalgia and wistfulness. Memories of being young and falling in love for the first time. The kind of all-consuming love that makes you want to run away together. Like it’s you against the world. I wanted to create a ton of space around Tyler’s voice so the focus was solely on the story. | |||
'' | |||
'''''Tyler''': The first sketches of this song started in Laurel Canyon in my first months in LA. I was in the midst of heartbreak and in the perfect place to write a wounded, backward look at love. That song survived in many different forms (the way a lot of songs do) over the years, and found its way pretty quickly and effortlessly onto this album. It serves as a voice of what’s to come.''</blockquote>''Seventeen'' is referenced later on ''Monsters'' in [[City Dreams (interlude)]], where the pitched vocals from the chorus can be heard towards the end. | |||
== Demo version == | == Demo version == | ||
An early demo of ''Seventeen'' was released as a prize during the [[Fall 2020 ARG]]. Titled ''17 (Atlanta demo)'', the overall sound is similar to the final version of the song, but the instrumentation is different and more guitar-driven. Some of the instrumentation heard was used on ''City Dreams'', which itself is a callback to ''Seventeen''. There is no guitar solo, and the pitched/chopped vocals in the chorus sound slightly different from the final. Aside from some small differences, Tyler Lyle's vocal track appears to be unchanged. The rendition of ''Seventeen'' performed during the [[Fall 2019 Tour]] bears a closer resemblance to this demo compared to the final version.<ref>{{Cite web |date=October 30, 2019 |title=The Midnight - Seventeen - live in Prague 28. 10. 2019 - YouTube |url=https://www.youtube.com/watch?v=xMfaJPOoBSk |url-status=live |archive-url=https://web.archive.org/web/20220408174022/https://www.youtube.com/watch?v=xMfaJPOoBSk |archive-date=April 8, 2022 |access-date=April 8, 2022 |website=YouTube}}</ref><br /> | |||
{{#widget:AudioPlayer2|mp3=/images/1/1d/17_atlanta_demo_.mp3}} | |||
<blockquote>I was a runaway and you were a Queen | == Lyrics == | ||
<blockquote> | |||
<poem> | |||
I was a runaway and you were a Queen | |||
Our tongues tied in the mezzanine | Our tongues tied in the mezzanine | ||
We were free | We were free | ||
No strings on you no strings on me | No strings on you no strings on me | ||
I was a cannonball and you were the sea | |||
When I crashed into your blue dream | When I crashed into your blue dream | ||
We were free | We were free | ||
Time takes no prisoners, you’ll see | Time takes no prisoners, you’ll see | ||
When you’re seventeen | |||
The thought of a spark could start a fire | The thought of a spark could start a fire | ||
Tube top and faded jeans | Tube top and faded jeans | ||
How we forget how we desire | How we forget how we desire | ||
Seventeen | Seventeen | ||
We were seventeen | |||
We had city dreams | We had city dreams | ||
I was a runaway and you were a jewel | |||
It was Paradise in the land of fools | It was Paradise in the land of fools | ||
We were free | We were free | ||
No strings on you no strings on me | No strings on you no strings on me | ||
Free | Free | ||
Time takes no prisoners, you’ll see | Time takes no prisoners, you’ll see | ||
When you’re seventeen | |||
The thought of a spark could start a fire | The thought of a spark could start a fire | ||
Tube top and faded jeans | Tube top and faded jeans | ||
How we forget how we desire | How we forget how we desire | ||
Seventeen | Seventeen | ||
We were seventeen | |||
We had city dreams</blockquote> | We had city dreams | ||
Lyrics source<ref | </poem> | ||
</blockquote> | |||
Lyrics source<ref name=":0" /> | |||
== Official versions == | |||
<div class="media-group"> | |||
{{MusicTitle|link=https://bandcamp.com/EmbeddedPlayer/album=2390823575/size=large/bgcol=333333/linkcol=fe7eaf/tracklist=false/track=374339440/transparent=true/|caption=Seventeen|caption2=from [[Monsters]]}} | |||
{{MusicTitle|link=https://bandcamp.com/EmbeddedPlayer/album=4098525368/size=large/bgcol=333333/linkcol=fe7eaf/tracklist=false/track=2102007157/transparent=true/|caption=Seventeen (Instrumental)|caption2=from ''Monsters (The Instrumentals)''}} | |||
</div> | |||
== References == | |||
<references /> | <references /> | ||
[[Category:Monsters]] | [[Category:Monsters]] | ||
[[Category:Songs]] | <noinclude> | ||
[[Category:Songs]]</noinclude>{{TheMidnight}} |
Latest revision as of 11:12, 1 May 2024
"Seventeen" | |
---|---|
Song by The Midnight | |
from the album Monsters | |
Released | July 10, 2020 |
Length | 4:02 |
Label | Counter Records |
Songwriter(s) | |
Producer(s) | Tim McEwan |
Monsters track listing | |
Monsters | |
Seventeen[1] is a song by The Midnight. It is the fourth track from their album Monsters.
The song was written by band members Tim McEwan and Tyler Lyle and produced by McEwan. The lead guitar solo on Seventeen was performed by Daniel Heløy Davidsen. It has a running time of four minutes and two seconds and is in the key of D major.
In an interview with Magnetic Magazine, the band described the themes of the song, its lyrical inspiration, and its evolution:[2]
Tim: This is perhaps the most nostalgic song on the album for me. It was the track that took the longest to get right because it was early on in the process and it set the tone for a lot of the other tracks on the album. I wanted to drench the listener in nostalgia and wistfulness. Memories of being young and falling in love for the first time. The kind of all-consuming love that makes you want to run away together. Like it’s you against the world. I wanted to create a ton of space around Tyler’s voice so the focus was solely on the story.
Tyler: The first sketches of this song started in Laurel Canyon in my first months in LA. I was in the midst of heartbreak and in the perfect place to write a wounded, backward look at love. That song survived in many different forms (the way a lot of songs do) over the years, and found its way pretty quickly and effortlessly onto this album. It serves as a voice of what’s to come.
Seventeen is referenced later on Monsters in City Dreams (interlude), where the pitched vocals from the chorus can be heard towards the end.
Demo version
An early demo of Seventeen was released as a prize during the Fall 2020 ARG. Titled 17 (Atlanta demo), the overall sound is similar to the final version of the song, but the instrumentation is different and more guitar-driven. Some of the instrumentation heard was used on City Dreams, which itself is a callback to Seventeen. There is no guitar solo, and the pitched/chopped vocals in the chorus sound slightly different from the final. Aside from some small differences, Tyler Lyle's vocal track appears to be unchanged. The rendition of Seventeen performed during the Fall 2019 Tour bears a closer resemblance to this demo compared to the final version.[3]
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Lyrics
I was a runaway and you were a Queen
Our tongues tied in the mezzanine
We were free
No strings on you no strings on me
I was a cannonball and you were the sea
When I crashed into your blue dream
We were free
Time takes no prisoners, you’ll see
When you’re seventeen
The thought of a spark could start a fire
Tube top and faded jeans
How we forget how we desire
Seventeen
We were seventeen
We had city dreams
I was a runaway and you were a jewel
It was Paradise in the land of fools
We were free
No strings on you no strings on me
Free
Time takes no prisoners, you’ll see
When you’re seventeen
The thought of a spark could start a fire
Tube top and faded jeans
How we forget how we desire
Seventeen
We were seventeen
We had city dreams
Lyrics source[1]
Official versions
References
- ↑ 1.0 1.1 "Seventeen | The Midnight". Bandcamp. July 10, 2020. Archived from the original on November 11, 2021. Retrieved April 8, 2022.
- ↑ Middleton, Ryan (July 10, 2020). "The Director's Cut: The Midnight - MONSTERS - Magnetic Magazine". Magnetic Magazine. Archived from the original on March 28, 2022. Retrieved April 8, 2022.
- ↑ "The Midnight - Seventeen - live in Prague 28. 10. 2019 - YouTube". YouTube. October 30, 2019. Archived from the original on April 8, 2022. Retrieved April 8, 2022.