Brooklyn: Difference between revisions

2020 The Midnight song (Track 11 from Monsters)
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'''Brooklyn'''<ref>https://themidnight.bandcamp.com/track/brooklyn</ref> is a song by [[The Midnight]]. It is the eleventh track from their album [[Monsters]].
{{SHORTDESC:2020 The Midnight song (Track 11 from Monsters)}}
== Track info ==
<div class="hidden-image">
[[File:Monsters - album.jpg|300px|thumb|]]
</div>
{{Infobox song
| name          = Brooklyn
| cover        =
| caption      =
| type          = Song
| artist        = [[The Midnight]]
| album         = [[Monsters]]
| released      = {{start date|2020|07|10}}
| length        = {{duration|m=4|s=14}}
| label        = Counter Records
| writer        = * [[Tim McEwan]]
* [[Tyler Lyle]]
| producer      = Tim McEwan
| tracks  = {{Hidden
| title        =
| text        = Monsters
# "[[1991 (intro)]]"
# "[[America Online]]"
# "[[Dance With Somebody]]"
# "[[Seventeen]]"
# "[[Dream Away]]"
# "[[The Search for Ecco]]"
# "[[Prom Night]]"
# "[[Fire In The Sky]]"
# "[[Monsters (song)|Monsters]]"
# "[[Helvetica]]"
# "[[Brooklyn]]"
# "[[Deep Blue]]"
# "[[Night Skies]]"
# "[[City Dreams (interlude)]]"
# "[[Last Train]]"
}}
| misc          ={{Music|link=https://bandcamp.com/EmbeddedPlayer/album=2390823575/size=large/bgcol=333333/linkcol=f81674/tracklist=false/artwork=none/track=1908113182/transparent=true/}}
}}


The song was written by band members [[Tim McEwan]] and [[Tyler Lyle|Tyler lyle]] and produced by McEwan. The bass and fretless bass on ''Brooklyn'' were performed by [[Oliver McEwan]]. The guitar solo and additional guitar were done by Izzy Fontaine. It has a running time of four minutes and fourteen seconds and is in the key of [[wikipedia:A-flat major|A-flat major]].
'''Brooklyn'''<ref name=":0">{{Cite web |date=July 10, 2020 |title=Brooklyn {{!}} The Midnight |url=https://themidnight.bandcamp.com/track/brooklyn |url-status=live |archive-url=https://web.archive.org/web/20220205222147/https://themidnight.bandcamp.com/track/brooklyn |archive-date=February 5, 2022 |access-date=April 7, 2022 |website=Bandcamp}}</ref> is a song by [[The Midnight]]. It is the eleventh track from their album [[Monsters]].


''Brooklyn'' was originally a solo song by Lyle from his album ''The Floating Years''.<ref>https://tylerlyle.bandcamp.com/album/the-floating-years-2</ref> Prior to being on ''The Floating Years'', it debuted on the first episode of Lyle's podcast, ''From The Secret Lair''.<ref>https://tylerlyle.bandcamp.com/album/1-the-secret-agent</ref> He has also recorded another version of the song under the name ''Floating Empire''.<ref>https://tylerlyle.bandcamp.com/album/25-the-starter-home-1-the-car-that-ate-downtown</ref>
The song was written by band members [[Tim McEwan]] and [[Tyler Lyle]] and produced by McEwan. The bass and fretless bass on ''Brooklyn'' were performed by [[Oliver McEwan]]. The guitar solo and additional guitar were done by Izzy Fontaine. It has a running time of four minutes and 14 seconds and is in the key of [[wikipedia:A-flat major|A-flat major]].


During a Reddit AMA, Lyle discussed the inspiration for the song:<ref>https://www.reddit.com/r/electronicmusic/comments/horqzi/we_are_the_midnight_our_new_album_monsters_is_out/fxju7tw/?utm_source=reddit&utm_medium=web2x&context=3</ref><blockquote>
''Brooklyn'' was originally a solo song by Lyle from his album ''The Floating Years''.<ref>{{Cite web |date=May 14, 2019 |title=The Floating Years {{!}} Tyler Lyle |url=https://tylerlyle.bandcamp.com/album/the-floating-years-2 |url-status=live |archive-url=https://web.archive.org/web/20210923132148/https://tylerlyle.bandcamp.com/album/the-floating-years-2 |archive-date=September 23, 2021 |access-date=April 7, 2022 |website=Bandcamp}}</ref> Prior to being on ''The Floating Years'', it debuted on the first episode of Lyle's podcast, ''From The Secret Lair''.<ref>{{Cite web |date=January 14, 2016 |title=1. The Secret Agent {{!}} Tyler Lyle |url=https://tylerlyle.bandcamp.com/album/1-the-secret-agent |url-status=live |archive-url=https://web.archive.org/web/20210428035553/https://tylerlyle.bandcamp.com/album/1-the-secret-agent |archive-date=April 28, 2021 |access-date=April 7, 2022 |website=Bandcamp}}</ref> He has also recorded another version of the song under the name ''Floating Empire.''<ref>{{Cite web |date=January 15, 2018 |title=25. The Starter Home #1: The Car That Ate Downtown {{!}} Tyler Lyle |url=https://tylerlyle.bandcamp.com/album/25-the-starter-home-1-the-car-that-ate-downtown |url-status=live |archive-url=https://web.archive.org/web/20210428035556/https://tylerlyle.bandcamp.com/album/25-the-starter-home-1-the-car-that-ate-downtown |archive-date=April 28, 2021 |access-date=April 7, 2022 |website=Bandcamp}}</ref>


During a Reddit AMA, Lyle discussed the inspiration for the song:<ref>{{Cite web |date=July 10, 2020 |title=We are The Midnight. Our new album Monsters is out today and we just announced our 2021 Europe and U.K. headline tour. Ask us anything! : electronicmusic |url=https://www.reddit.com/r/electronicmusic/comments/horqzi/we_are_the_midnight_our_new_album_monsters_is_out/fxju7tw/?utm_source=reddit&utm_medium=web2x&context=3 |url-status=live |archive-url=https://web.archive.org/web/20220407135454/https://www.reddit.com/r/electronicmusic/comments/horqzi/we_are_the_midnight_our_new_album_monsters_is_out/fxju7tw/?context=3 |archive-date=April 7, 2022 |access-date=April 7, 2022 |website=Reddit}}</ref><blockquote>
''When I moved to New York, I didn't know anything about the neighborhoods and was basically scared of everything, so I moved into a big glass tower in Brooklyn. I had a crazy view of Manhattan from my roof and my bedroom was on the 25th floor and looked out over Downtown Brooklyn and Fort Greene. A lot of that imagery does have a lot to do with heights and the hallucinatory impression the lights at night give you about the city- that coupled with just the sheer difficulty of living in such a challenging city. I was thinking about a couple who might not make it, but the song is definitely about the tension of floating or falling.''</blockquote>In an interview with ''Headliner Magazine'', Lyle further stated:<ref>{{Cite web |last=Gustafson |first=Alice |date=November 20, 2020 |title=The Midnight Talk Synth Wave, The Sounds Of The ‘80s And Nostalgia {{!}} Headliner Magazine |url=https://headlinermagazine.net/headliners/the-midnight-future-nostalgia.html |url-status=live |archive-url=https://web.archive.org/web/20220407140711/https://headlinermagazine.net/headliners/the-midnight-future-nostalgia.html |archive-date=April 7, 2022 |access-date=April 7, 2022 |website=Headliner Magazine}}</ref><blockquote>''It was a very lonely and searching time. I had just got married, and my wife and I were deeply unhappy in New York. That song was a question to the city itself as to whether the time there would be good or bad...whether we'd fall apart.''</blockquote>During an interview with ''Magnetic Magazine'', the band commented on the production of their version of the song:<ref>{{Cite web |last=Middleton |first=Ryan |date=July 10, 2020 |title=The Director's Cut: The Midnight - MONSTERS - Magnetic Magazine |url=https://www.magneticmag.com/2020/07/the-directors-cut-the-midnight-monsters/ |url-status=live |archive-url=https://web.archive.org/web/20220406164142/https://www.magneticmag.com/2020/07/the-directors-cut-the-midnight-monsters/ |archive-date=April 6, 2022 |access-date=April 7, 2022 |website=Magnetic Magazine}}</ref><blockquote>'''''Tim''': My job on this track was simple: to get out of the way of the song. It needed to feel stripped down and just be in support of Tyler’s amazing performance. <br><br>


When I moved to New York, I didn't know anything about the neighborhoods and was basically scared of everything, so I moved into a big glass tower in Brooklyn. I had a crazy view of Manhattan from my roof and my bedroom was on the 25th floor and looked out over Downtown Brooklyn and Fort Greene. A lot of that imagery does have a lot to do with heights and the hallucinatory impression the lights at night give you about the city- that coupled with just the sheer difficulty of living in such a challenging city. I was thinking about a couple who might not make it, but the song is definitely about the tension of floating or falling.</blockquote>In an interview with ''Headliner Magazine'', Lyle further stated:<ref>https://headlinermagazine.net/headliners/the-midnight-future-nostalgia.html</ref><blockquote>It was a very lonely and searching time. I had just got married, and my wife and I were deeply unhappy in New York. That song was a question to the city itself as to whether the time there would be good or bad...whether we'd fall apart.</blockquote>During an interview with ''Magnetic Magazine'', the band commented on the production of their version of the song:<ref>https://www.magneticmag.com/2020/07/the-directors-cut-the-midnight-monsters/</ref><blockquote>'''Tim''': My job on this track was simple: to get out of the way of the song. It needed to feel stripped down and just be in support of Tyler’s amazing performance.
'''''Tyler''': I moved from LA to New York in 2014 a week after I got married. It’s such a difficult city to live in. Most New Yorkers would claim that it’s part of the charm. We moved into a tall glass tower in Downtown Brooklyn with a view from the 25th story of Fort Green and Bed Stuy. I was transfixed by the lights at night, all the while dealing with the major life change of a new wife, a new city, and a disruption to my normal “day job” which was writing songs with other people. It was a lonely time. I wrote a lot of songs in that season though.''</blockquote>
 
'''Tyler''': I moved from LA to New York in 2014 a week after I got married. It’s such a difficult city to live in. Most New Yorkers would claim that it’s part of the charm. We moved into a tall glass tower in Downtown Brooklyn with a view from the 25th story of Fort Green and Bed Stuy. I was transfixed by the lights at night, all the while dealing with the major life change of a new wife, a new city, and a disruption to my normal “day job” which was writing songs with other people. It was a lonely time. I wrote a lot of songs in that season though.</blockquote>
 


== Lyrics ==
== Lyrics ==
<poem>
<blockquote><poem>
There’s traffic on the bridge
There’s traffic on the bridge
But the skyline shines with a certain light
But the skyline shines with a certain light
Line 38: Line 73:
When we feel young again
When we feel young again
I’d like to take you dancing
I’d like to take you dancing
</poem>


Cause there’s a possibility
Cause there’s a possibility
Line 71: Line 105:
And hang on to see if whether
And hang on to see if whether
Constellations hold together or not
Constellations hold together or not
</poem></blockquote>Lyrics source<ref name=":0" />


Lyrics source<ref>https://themidnight.bandcamp.com/track/brooklyn</ref>
== Official versions ==
<div class="media-group">
{{MusicTitle|link=https://bandcamp.com/EmbeddedPlayer/album=2390823575/size=large/bgcol=333333/linkcol=fe7eaf/tracklist=false/track=1908113182/transparent=true/|caption=Brooklyn|caption2=from [[Monsters]]}}
{{MusicTitle|link=https://bandcamp.com/EmbeddedPlayer/album=4098525368/size=large/bgcol=333333/linkcol=fe7eaf/tracklist=false/track=3997438776/transparent=true/|caption=Brooklyn (Instrumental)|caption2=from ''Monsters (The Instrumentals)''}}
</div>


== References ==
== References ==
<references />
<references />
[[Category:Monsters]]
[[Category:Monsters]]
[[Category:Songs]]
<noinclude>
[[Category:Needs fixing]]
[[Category:Songs]]‎</noinclude>{{TheMidnight}}

Latest revision as of 12:29, 15 April 2024

Monsters - album.jpg
"Brooklyn"
Song by The Midnight
from the album Monsters
ReleasedJuly 10, 2020 (2020-07-10)
Length4:14
LabelCounter Records
Songwriter(s)
Producer(s)Tim McEwan
Monsters track listing

Brooklyn[1] is a song by The Midnight. It is the eleventh track from their album Monsters.

The song was written by band members Tim McEwan and Tyler Lyle and produced by McEwan. The bass and fretless bass on Brooklyn were performed by Oliver McEwan. The guitar solo and additional guitar were done by Izzy Fontaine. It has a running time of four minutes and 14 seconds and is in the key of A-flat major.

Brooklyn was originally a solo song by Lyle from his album The Floating Years.[2] Prior to being on The Floating Years, it debuted on the first episode of Lyle's podcast, From The Secret Lair.[3] He has also recorded another version of the song under the name Floating Empire.[4]

During a Reddit AMA, Lyle discussed the inspiration for the song:[5]

When I moved to New York, I didn't know anything about the neighborhoods and was basically scared of everything, so I moved into a big glass tower in Brooklyn. I had a crazy view of Manhattan from my roof and my bedroom was on the 25th floor and looked out over Downtown Brooklyn and Fort Greene. A lot of that imagery does have a lot to do with heights and the hallucinatory impression the lights at night give you about the city- that coupled with just the sheer difficulty of living in such a challenging city. I was thinking about a couple who might not make it, but the song is definitely about the tension of floating or falling.

In an interview with Headliner Magazine, Lyle further stated:[6]

It was a very lonely and searching time. I had just got married, and my wife and I were deeply unhappy in New York. That song was a question to the city itself as to whether the time there would be good or bad...whether we'd fall apart.

During an interview with Magnetic Magazine, the band commented on the production of their version of the song:[7]

Tim: My job on this track was simple: to get out of the way of the song. It needed to feel stripped down and just be in support of Tyler’s amazing performance.

Tyler: I moved from LA to New York in 2014 a week after I got married. It’s such a difficult city to live in. Most New Yorkers would claim that it’s part of the charm. We moved into a tall glass tower in Downtown Brooklyn with a view from the 25th story of Fort Green and Bed Stuy. I was transfixed by the lights at night, all the while dealing with the major life change of a new wife, a new city, and a disruption to my normal “day job” which was writing songs with other people. It was a lonely time. I wrote a lot of songs in that season though.

Lyrics

There’s traffic on the bridge
But the skyline shines with a certain light
And I know you’re sick of it
But I know a happy hour nearby

And there’s a possibility
That one day things will get better for
The huddled masses in between
The shadows and the stars

Floating empire
Held up by fraying wire
I’ll cover you in winter like a blanket by the fire
And when the rent is too high
We’ll just buy cheaper wine
And hang on to see if whether
Constellations hold together or not

Four years in Brooklyn
And happy birthday darling
When we feel young again
I’d like to take you dancing

Cause there’s a possibility
That one day things will get better
For the huddled masses in between
The shadows and the stars
And there’s a possibility
That we’ll both go down together
Or free ourselves from gravity
And tumble through the dark

Floating empire
Held up by fraying wire
I’ll cover you in winter like a blanket by the fire
And when the rent is too high
We’ll just buy cheaper wine
And hang on to see if whether
Constellations hold together or not

I never placed too much faith in the stars
I never placed too much faith in my heart
But the siren call of the chandelier city
And inch by inch we’re breaking apart
As we’re rising through the dark
From the sky I bet the lights look pretty

Floating empire
Held up by fraying wire
I’ll cover you in winter like a blanket by the fire
And when the rent is too high
We’ll just buy cheaper wine
And hang on to see if whether
Constellations hold together or not

Lyrics source[1]

Official versions

Brooklyn

from Monsters

Brooklyn (Instrumental)

from Monsters (The Instrumentals)

References

  1. 1.0 1.1 "Brooklyn | The Midnight". Bandcamp. July 10, 2020. Archived from the original on February 5, 2022. Retrieved April 7, 2022.
  2. "The Floating Years | Tyler Lyle". Bandcamp. May 14, 2019. Archived from the original on September 23, 2021. Retrieved April 7, 2022.
  3. "1. The Secret Agent | Tyler Lyle". Bandcamp. January 14, 2016. Archived from the original on April 28, 2021. Retrieved April 7, 2022.
  4. "25. The Starter Home #1: The Car That Ate Downtown | Tyler Lyle". Bandcamp. January 15, 2018. Archived from the original on April 28, 2021. Retrieved April 7, 2022.
  5. "We are The Midnight. Our new album Monsters is out today and we just announced our 2021 Europe and U.K. headline tour. Ask us anything! : electronicmusic". Reddit. July 10, 2020. Archived from the original on April 7, 2022. Retrieved April 7, 2022.
  6. Gustafson, Alice (November 20, 2020). "The Midnight Talk Synth Wave, The Sounds Of The '80s And Nostalgia | Headliner Magazine". Headliner Magazine. Archived from the original on April 7, 2022. Retrieved April 7, 2022.
  7. Middleton, Ryan (July 10, 2020). "The Director's Cut: The Midnight - MONSTERS - Magnetic Magazine". Magnetic Magazine. Archived from the original on April 6, 2022. Retrieved April 7, 2022.