Welcome to The Midnight Wiki

Hello and welcome! So glad that you are here! This is a community-driven wiki about the band The Midnight. Here you'll find articles about their songs, albums, the band history, everything you wanted to know about Tim and Tyler and so much more in The Midnight universe.

If you would like to help contribute, then please head over here to get started.

Lost Boy's Polaroids

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From the Floppy Disk

River of Darkness

River of Darkness1) is a song by The Midnight featuring Timecop1983. It is the fourth track from their album Nocturnal.

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The song was written by band members Tim McEwan and Tyler Lyle alongside Jordy Leenaerts and produced by McEwan. The saxophone on River of Darkness was performed by Thomas Edinger and the lead guitar was done by Pelle Hillström. It has a running time of six minutes and five seconds and is in the key of E-flat minor.

Glowing windows in the buildings from the elevated train
I see a thousand different stories pass
And faces without names

I forget why I came here
And forget why I stay
And wonder if they'd notice
If I tried to Slipped away

What if I kept going
What if I don't get off tonight
What if I ride this to the edges
Through the darkness to the light

Could I find you there?
Could I find you there?
If I slipped away?

What if there's no answer
We’re all just hearts that have to fight
Through the dangers of the rapids
Through the darkness to the light

Could I find you there?
Could I find you there?
If I slipped away?

Lyrics source2)


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Interview with Lelia Broussard

Lelia Broussard performing live on tour with The Midnight

The Midnight Wiki had the honor of interviewing Lelia Broussard of Jupiter Winter in January 2021. Lelia joined The Midnight as a touring member for the Fall 2019 Tour and also co-wrote and sang guest vocals on the song Monsters. She talks to us about beginning her music career at a young age, the pros and cons of being independent versus being signed to a label, appearing on TV on Jimmy Fallon and The Voice, her work with The Midnight, and her plans for Jupiter Winter in 2021.

The Midnight Wiki: What have you been up to lately?
Lelia Broussard: I’ve just been making a lot of music! It’s been kind of nice to have all of this uninterrupted time to write. Royce and I are working on a Jupiter Winter album which is very exciting for me. Other than writing and working on music, I’m really into cooking. I go on a lot of hikes, I do a lot of workouts in my yard. Ha! Just trying to stay sane and not get or give anyone covid.

TMW: Let's go back to the beginning. When do you realize you wanted to pursue a career in music? How did you get your start in the music business?
LB: I developed a big interest in music very early on. I sang incessantly as a kid and I started playing guitar around 12 or 13. I was writing songs as soon as I could string a few chords together and it’s been a lifelong love and pursuit ever since.

As far as my start in the business, when I was a teenager I would religiously seek out every open mic I could find to practice performing in front of an audience. I started playing shows around the Philadelphia area, made some recordings of my songs and started selling them at my shows. 88.5 WXPN - the public radio station in Philadelphia generously gave me some early support and helped to grow my audience in the beginning. When I was 17 I skipped going to college and moved to New York instead where I began collaborating with other writers and producers and doing a little bit of touring. That eventually led to my first publishing deal.

TMW: I was able to learn a lot about you that I didn't know when I created your article on the wiki. You released a few albums independently starting at a very young age. What was that experience like?
LB: It was amazing! I don’t know if I deserved to record in a studio with the incredible musicians I got to work with just yet. I was a baby who had no idea who I was as an artist and I definitely wasn’t writing very good songs yet but it was a great learning experience and a huge privilege to be exposed to that world so early on.

TMW: I read that you had inked a publishing deal and lived in Los Angeles for a time. What other artists and writers do you work with? Did you/do you enjoy writing and making music for other people?
LB: I did! The first publishing deal I signed was more focused on my own artist development, so I wasn’t really writing for others at that point. I started writing for other artists and projects a few years later, and yes! I love making music for other people. It can be kind of freeing to work on something for someone else because there can be a lot of overthinking and preciousness that goes on when making your own music. I love to help other artists realize their artistic vision and to help them say something that feels honest and true. With the right fit it can be very fulfilling.

TMW: You've dipped your toes in many facets of the music industry - you've crowdfunded an album, have done solo work, was in a band (Secret Someones) and signed to a label, toured extensively on stages big and small - what would you say is the biggest thing you've learned? Do you think an artist should try to stay independent as long as they can?
LB: Don’t compare your path to anyone else’s. I’m still learning that one. Study the greats and always find and celebrate the joy in making music, especially when it becomes your job. Write a LOT and don’t be too precious with your ideas. That’s a lot easier to do when you’re prolific. Routines and staying connected to yourself, whatever that means for you really help with creativity. It can be good to stay independent as long as you can, but I think it just depends on the circumstance. There’s so much you can do now as an independent artist and getting as far as you can on your own obviously means more leverage for a better deal. My band Secret Someones got signed pretty much right away, and that wasn’t necessarily a bad thing for us. Labels can provide a lot of support but they also suck in a lot of ways. I think it just depends on your circumstances.

TMW: You've been on TV several times - Jimmy Fallon, The Voice - am I missing anything? What was it like being on television?
LB: Nerve wracking! The Voice is fucking terrifying. It’s a lot of pressure and they make sure you’re well aware of that. Jimmy Fallon was a blast. He was very nice and exactly the person you would hope he is. My band and I got to write a parody song about an audience member and it was the best. Questlove liked my song and that made my life.

TMW: How was it competing on singing competitions?
LB: Honestly, it was a wild experience. I met some wonderful people that I love dearly, but reality tv is a strange beast. If you don’t fit into the mold that the producers have invented for you, you won’t last on the show. It was definitely an interesting experience, but I can’t say that I would ever do it again.

TMW: Your current project is Jupiter Winter. How did you meet Royce, and when did you guys decide to team up and start making music together?
LB: Yes! Royce and I met on tour in 2015 at The Wonder Ballroom in Portland (which was coincidentally my first gig with The Midnight years later!) I was playing with my band, Secret Someones and we were opening for our Canadian label mates, Marianas Trench. Royce was working with Marianas and we became friends over the tour and after that we started dating. Shortly after we started dating my band broke up and I was trying to find my own creative voice again, and we just started making stuff. It’s taken a long time to evolve into what it is now, but it’s been the best growing and learning experience!

TMW: What are each of your roles in this project? What type of sound are you going for?
LB: Royce is more focused on production and I’m more focused on the songwriting, although both of us contribute to both aspects. Lately I’ve been writing and fully producing out a demo, then I’ll take it to Royce and he’ll add in new elements and help to polish and finish it. Sometimes Royce will write and produce a track on his own and I’ll write a topline (lyric + melody) over it. We love a mix of organic and electronic elements. We want to make smart pop music that makes you feel things. I guess that’s indie pop? Tyler says we’re pop wave. I hadn’t heard of it before but I think that feels like an accurate genre for us.

TMW: Let's get into your involvement with The Midnight. I've read that you got the touring role through an audition. Can you tell me a bit more about that process and experience?
LB: A wonderful artist manager friend of mine recommended me to their team. We chatted on the phone and they asked to see a few videos of me playing their songs. Tyler and I had been in the same singer/songwriter community for many years, although I don’t think we had ever formally met. He was familiar with me as an artist and songwriter and I had a lot of other mutual friends with the guys. After sending a few videos of me playing, singing and doing my thing over their recordings they asked me to join them for their upcoming tours and after that I had I think two weeks to learn about 25 songs. It was intense but so much fun!

TMW: Prior to joining The Midnight on tour, did you have any prior experience or exposure to the synthwave genre?
LB: No, I didn’t!

TMW: The synthwave genre and style is quite different from the music you've made for most of your career. Did you find it difficult to learn and get in tune with the songs?
LB: I didn’t find it to be extraordinarily different than learning any other genre or style of music. Most of their songs have a very classic pop structure but their palette is very specific. Recreating all the sounds is one of my favorite parts of doing this gig.

TMW: OK - let's talk Monsters, the song. I remember when I saw The Midnight in Fall 2019, Tyler originally sang all parts of the song. When was it decided that you would sing on the album version? (you sound great by the way!)
LB: Thank you! Yes! While we were on tour in 2019 we were playing a few new songs they were working on, Monsters being one of them. They had the idea to make it into a duet and they gave me the opportunity to take a stab at rewriting and singing the second verse which was so very cool of them. I did it on one of our days off in a hotel room somewhere in the US and thankfully they liked what I did. I’ve played with a lot of artists and it’s not very often that you’re welcomed into their creative process, so it’s been a real honor to get to collaborate with the guys in that way.

TMW: Let's talk about the amazing The Midnight Online concert you guys did last fall. When did you first hear that the band was interested in doing a livestream concert? Was it odd to play in a big outdoor venue with no fans?
LB: They let us know a few months before so we thankfully had plenty of time to prepare. Oh my gosh it was so incredible to play music with my favorite people again. All of us had missed it so much. It was very weird and a little sad with no fans, but it was such a huge joy to be able to come together to do that.

TMW: What is your favorite The Midnight song to perform and/or your favorite The Midnight song in general? (other than Monsters!)
LB: That’s so hard! I really have so much fun playing the whole show. I love playing America 2, Lost & Found, Los Angeles, I have a blast playing the solo in Gloria. From the new record, Last Train is VERY FUN for me. Neon Medusa is crazy. Royce shreds and that riff is so fun to play.

TMW: What are your plans as a musician for 2021? Do you think you and Royce will release an EP or album sometime this year?
LB: Yes, we’re working on an album for Jupiter Winter and I’m so excited to have a whole body of work to finally be able to share. Hopefully we’ll have it wrapped up later this year. I just want to continue growing as a person and an artist and writing, more collaborating with my friends and making things that feel honest and true.

TMW: Anything you'd like to say to all the Kids and Monsters out there in The Midnight universe?
LB: Just that I have so much love for all of you! Thank you for being so sweet and welcoming to me. Best fans in the world.

Be sure to follow Lelia and Jupiter Winter on Instagram!


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Endless Summer

Endless Summer album cover
Instrumental version cover

Endless Summer is the first album from The Midnight. It was released independently by the band on August 5, 2016.3) The instrumental version of the album was released on August 13, 2016.4)

Two singles were released from Endless Summer prior to the album's release: Sunset, which was released on May 13, 20165) and Vampires, which released on June 10, 2016.6)

On June 24, 2021, a 5 Year Anniversary Edition reissue of Endless Summer was released, containing two additional songs not included in the original release.7)

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Endless Summer is the first full-length album from The Midnight, arriving two years after the band's debut EP Days of Thunder. The band announced on social media in January 2015 that new material was being worked on, and a clip of what would become the song Endless Summer was posted.8) Previews of new songs continued to be shared over the remainder of the year. In February, Tim McEwan posted a photo of himself and Tyler Lyle in the studio,9) and an early snippet of Vampires was shared on the same day.10) In March, early clips of Sunset and Daytona (then titled Daytona Beach) were shared.11)12) In May, several new clips were posted, including another one of Endless Summer, another one for Sunset, and one for Nighthawks.13)14)15) Also in May, a snippet of a new song presumably called She Was Dreamin' of Boys (featuring vocals by McEwan) was posted, but the song did not make the final album.16) A small snip of the album artwork (done by Taylor Allen) was revealed in July, and at that time the release was referred to as an EP.17) It was announced in August that the release of the EP/album was still several months away, with McEwan citing a desire to “push the envelope on the synthwave genre.”18) In September, now removed teasers of the album were uploaded to Soundcloud and Youtube.19)20) In October, a small clip of an unknown song that did not make the album was shared.21) In November, a clip of The Equaliser (Not Alone) was posted, and the song was slated to be released in December, but it was not actually released until March 2016, when it was featured on the Drive Radio compilation Selection Volume 1.22)23)24)

Throughout the first half of 2016, more information about the forthcoming album continued to be shared by the band. A snippet of Crockett's Revenge was posted on social media in March,25) and it was announced that Thomas Edinger, who played saxophone on the Days of Thunder EP, would be playing saxophone on three songs on the new album.26) Tim McEwan also said around this time that he expected the album/EP to have around eight to ten tracks, with a few instrumentals and one or two songs with him on vocals.27) An early clip of Memories was shared in April,28) and McEwan stated in a Facebook comment that writing for the album was complete and the production of tracks was in progress.29) He additionally mentioned in a separate post that the album would have a more “noir” feel compared to Days of Thunder.30) At the beginning of May, Sunset was announced as the first official single from Endless Summer.31) The single was officially released on May 13.32) Later that month, McEwan said that the album was likely to be released in June, noting that the production of Sunset took longer than expected and stated further that more singles would be released in the meantime.33) In early June, a second single Vampires was announced and was officially released on June 10.34)35) More clips continued to be shared after the release of the two singles. A longer clip of Crockett's Revenge was shared in June,36) and in July a snippet of The Comeback Kid was posted.37) On July 25, the album was officially announced and given a release date of August 5.38) The album artwork was also revealed. On August 1, the tracklist was revealed.39) Endless Summer officially released on August 5, receiving positive reviews from critics.40)41)42)

In 2017, electronic music label Silk Music issued two singles from Endless Summer containing remixes: Sunset, which was released on August 7,43) and Synthetic, which released on December 18.44) These singles lead to the eventual release of the band's first remix album, The Midnight Remixed.

Endless Summer contains the song Synthetic, which until the 2021 5 Year Anniversary Edition reissue was the only released The Midnight song with vocals written and sung by band member Tim McEwan. The album also features the band's first collaboration with Los Angeles based singer-songwriter Nikki Flores on the track Jason. The band would later collaborate with Flores again on the songs Light Years and Because The Night, and she has also toured with the band several times. McEwan said that the album's title was derived from a 1966 surf documentary film he watched titled The Endless Summer, stating that it gave him “this yearning for summer never to end.”45) He suggested this name to Tyler Lyle and encouraged him to use it as a basis for lyrics for a track idea he had, which resulted in the song Endless Summer and the album being given the title as well.

The instrumental version of Endless Summer was released on August 13, 2016.46)

On June 24, 2021, a 5 Year Anniversary Edition reissue of Endless Summer was released, containing two additional songs: Comet and Bend.47) Bend was originally released as a bonus track for pre-ordering the first pressing of the Endless Summer vinyl release. Comet is a song that was teased on the band's Facebook page back in 2016 but had been otherwise unreleased.48) It is the second song to release by The Midnight with vocals from Tim McEwan, following Synthetic.

# TITLE LENGTH
1. Endless Summer 6:45
2. Sunset 5:26
3. Daytona 4:52
4. Jason (feat. Nikki Flores) 5:31
5. Synthetic 3:19
6. The Equalizer (Not Alone) 3:49
7. The Comeback Kid 5:21
8. Vampires 5:17
9. Crockett's Revenge 5:22
10. Nighthawks 3:48
11. Lonely City 5:14
12. Memories 6:19
5 YEAR ANNIVERSARY EDITION reissue
13. Comet 5:17
14. Bend 4:53
TOTAL LENGTH (ORIGINAL RELEASE) 1:01:03

Credits
All songs written by Tim McEwan and Tyler Lyle except for Jason, which was written by Tim McEwan, Tyler Lyle, and Nikki Flores, and Nighthawks, which was written by Tim McEwan, Tyler Lyle, and Oliver McEwan. All songs produced by Tim McEwan.
Additional instrumentation was provided by Thomas Edinger (saxophone), Johannes Jørgensen (guitar on Sunset), Mads Storm (synth solo on Daytona), and Nikki Flores (vocals on Jason). All tracks mixed by Tim McEwan. All tracks mastered by Anders Schumann at Studio C4 in Copenhagen except for Bend and Comet which were mastered by Tim McEwan.


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  • Last modified: 28/06/2021 10:23
  • by Jens Møller