Helvetica - Revision history

Timothy: Text replacement - "from ''Monsters''" to "from Monsters"

2024-04-15T17:30:03Z

Text replacement - "from ''Monsters''" to "from Monsters"

← Older revision		Revision as of 13:30, 15 April 2024
Line 1:		Line 1:
	{{SHORTDESC:2020 The Midnight song (Track 10 from ''Monsters'')}}		{{SHORTDESC:2020 The Midnight song (Track 10 from Monsters)}}
	<div class="hidden-image">		<div class="hidden-image">
	[[File:Monsters - album.jpg\|300px\|thumb\|]]		[[File:Monsters - album.jpg\|300px\|thumb\|]]

Timothy at 17:23, 15 April 2024

2024-04-15T17:23:24Z

← Older revision		Revision as of 13:23, 15 April 2024
Line 1:		Line 1:
			{{SHORTDESC:2020 The Midnight song (Track 10 from ''Monsters'')}}
			<div class="hidden-image">
			[[File:Monsters - album.jpg\|300px\|thumb\|]]
			</div>
	{{Infobox song		{{Infobox song
	\| name = Helvetica		\| name = Helvetica

Timothy at 14:37, 7 August 2023

2023-08-07T14:37:58Z

← Older revision		Revision as of 10:37, 7 August 2023
Line 41:		Line 41:

	In an interview with ''Magnetic Magazine'', McEwan said about ''Helvetica'':<ref>{{Cite web \|last=Middleton \|first=Ryan \|date=July 10, 2020 \|title=The Director's Cut: The Midnight - MONSTERS - Magnetic Magazine \|url=https://www.magneticmag.com/2020/07/the-directors-cut-the-midnight-monsters/ \|url-status=live \|archive-url=https://web.archive.org/web/20220328185656/https://www.magneticmag.com/2020/07/the-directors-cut-the-midnight-monsters/ \|archive-date=March 28, 2022 \|access-date=March 28, 2022 \|website=Magnetic Magazine}}</ref><blockquote>'''''Tim''': “Helvetica” is all about those late nights spent alone, online. The pale light from the CRT screen reflecting up on our face while the world around you is fast asleep. But are connected into a world of possibility. Chat rooms & kindred spirits. Connection. What we all hoped the internet would be.''</blockquote>		In an interview with ''Magnetic Magazine'', McEwan said about ''Helvetica'':<ref>{{Cite web \|last=Middleton \|first=Ryan \|date=July 10, 2020 \|title=The Director's Cut: The Midnight - MONSTERS - Magnetic Magazine \|url=https://www.magneticmag.com/2020/07/the-directors-cut-the-midnight-monsters/ \|url-status=live \|archive-url=https://web.archive.org/web/20220328185656/https://www.magneticmag.com/2020/07/the-directors-cut-the-midnight-monsters/ \|archive-date=March 28, 2022 \|access-date=March 28, 2022 \|website=Magnetic Magazine}}</ref><blockquote>'''''Tim''': “Helvetica” is all about those late nights spent alone, online. The pale light from the CRT screen reflecting up on our face while the world around you is fast asleep. But are connected into a world of possibility. Chat rooms & kindred spirits. Connection. What we all hoped the internet would be.''</blockquote>

			== Official versions ==
			<div class="media-group">
			{{MusicTitle\|link=https://bandcamp.com/EmbeddedPlayer/album=2390823575/size=large/bgcol=333333/linkcol=fe7eaf/tracklist=false/track=1545438861/transparent=true/\|caption=Helvetica\|caption2=from [[Monsters]]}}
			</div>

	== References ==		== References ==

Timothy: Text replacement - "\z" to "{{TheMidnight}}"

2023-06-22T02:21:34Z

Text replacement - "\z" to "{{TheMidnight}}"

← Older revision		Revision as of 22:21, 21 June 2023
Line 46:		Line 46:
	[[Category:Monsters]]		[[Category:Monsters]]
	<noinclude>		<noinclude>
	[[Category:Songs]]‎</noinclude>		[[Category:Songs]]‎</noinclude>{{TheMidnight}}

Timothy at 17:35, 11 June 2023

2023-06-11T17:35:40Z

← Older revision		Revision as of 13:35, 11 June 2023
Line 40:		Line 40:
	To create ''Helvetica'', McEwan wrote and composed the entire song in one key, sampled the entire song, and then imported it into the synthesizer program TAL-Sampler and automated the sample rate. The pitch changes constantly throughout the song, always coming back to the original key of G minor.		To create ''Helvetica'', McEwan wrote and composed the entire song in one key, sampled the entire song, and then imported it into the synthesizer program TAL-Sampler and automated the sample rate. The pitch changes constantly throughout the song, always coming back to the original key of G minor.

	In an interview with ''Magnetic Magazine'', McEwan said about ''Helvetica'':<ref>{{Cite web \|last=Middleton \|first=Ryan \|date=July 10, 2020 \|title=The Director's Cut: The Midnight - MONSTERS - Magnetic Magazine \|url=https://www.magneticmag.com/2020/07/the-directors-cut-the-midnight-monsters/ \|url-status=live \|archive-url=https://web.archive.org/web/20220328185656/https://www.magneticmag.com/2020/07/the-directors-cut-the-midnight-monsters/ \|archive-date=March 28, 2022 \|access-date=March 28, 2022 \|website=Magnetic Magazine}}</ref><blockquote>'''Tim''': “Helvetica” is all about those late nights spent alone, online. The pale light from the CRT screen reflecting up on our face while the world around you is fast asleep. But are connected into a world of possibility. Chat rooms & kindred spirits. Connection. What we all hoped the internet would be.</blockquote>		In an interview with ''Magnetic Magazine'', McEwan said about ''Helvetica'':<ref>{{Cite web \|last=Middleton \|first=Ryan \|date=July 10, 2020 \|title=The Director's Cut: The Midnight - MONSTERS - Magnetic Magazine \|url=https://www.magneticmag.com/2020/07/the-directors-cut-the-midnight-monsters/ \|url-status=live \|archive-url=https://web.archive.org/web/20220328185656/https://www.magneticmag.com/2020/07/the-directors-cut-the-midnight-monsters/ \|archive-date=March 28, 2022 \|access-date=March 28, 2022 \|website=Magnetic Magazine}}</ref><blockquote>'''''Tim''': “Helvetica” is all about those late nights spent alone, online. The pale light from the CRT screen reflecting up on our face while the world around you is fast asleep. But are connected into a world of possibility. Chat rooms & kindred spirits. Connection. What we all hoped the internet would be.''</blockquote>

	== References ==		== References ==

Timothy: Text replacement - "tracklist=false/" to "tracklist=false/artwork=none/"

2023-06-11T03:51:19Z

Text replacement - "tracklist=false/" to "tracklist=false/artwork=none/"

← Older revision		Revision as of 23:51, 10 June 2023
Line 31:		Line 31:
	# "[[Last Train]]"		# "[[Last Train]]"
	}}		}}
	\| misc ={{Music\|link=https://bandcamp.com/EmbeddedPlayer/album=2390823575/size=large/bgcol=333333/linkcol=f81674/tracklist=false/track=1545438861/transparent=true/}}		\| misc ={{Music\|link=https://bandcamp.com/EmbeddedPlayer/album=2390823575/size=large/bgcol=333333/linkcol=f81674/tracklist=false/artwork=none/track=1545438861/transparent=true/}}
	}}		}}

Timothy at 02:45, 4 June 2023

2023-06-04T02:45:09Z

← Older revision		Revision as of 22:45, 3 June 2023
Line 47:		Line 47:
	<noinclude>		<noinclude>
	[[Category:Songs]]‎</noinclude>		[[Category:Songs]]‎</noinclude>
	~~{{#related:Monsters (song)}}~~
	~~{{#related:Monsters}}~~
	~~{{#related:Brooklyn}}~~

Timothy at 21:44, 3 June 2023

2023-06-03T21:44:16Z

← Older revision		Revision as of 17:44, 3 June 2023
Line 40:		Line 40:
	To create ''Helvetica'', McEwan wrote and composed the entire song in one key, sampled the entire song, and then imported it into the synthesizer program TAL-Sampler and automated the sample rate. The pitch changes constantly throughout the song, always coming back to the original key of G minor.		To create ''Helvetica'', McEwan wrote and composed the entire song in one key, sampled the entire song, and then imported it into the synthesizer program TAL-Sampler and automated the sample rate. The pitch changes constantly throughout the song, always coming back to the original key of G minor.

	In an interview with ''Magnetic Magazine'', McEwan said about ''Helvetica'':<ref>{{Cite web \|last=Middleton \|first=Ryan \|date=July 10, 2020 \|title=The Director's Cut: The Midnight - MONSTERS - Magnetic Magazine \|url=https://www.magneticmag.com/2020/07/the-directors-cut-the-midnight-monsters/ \|url-status=live \|archive-url=https://web.archive.org/web/20220328185656/https://www.magneticmag.com/2020/07/the-directors-cut-the-midnight-monsters/ \|archive-date=March 28, 2022 \|access-date=March 28, 2022 \|website=Magnetic Magazine}}</ref><blockquote~~><br /~~>'''Tim''': “Helvetica” is all about those late nights spent alone, online. The pale light from the CRT screen reflecting up on our face while the world around you is fast asleep. But are connected into a world of possibility. Chat rooms & kindred spirits. Connection. What we all hoped the internet would be.</blockquote>		In an interview with ''Magnetic Magazine'', McEwan said about ''Helvetica'':<ref>{{Cite web \|last=Middleton \|first=Ryan \|date=July 10, 2020 \|title=The Director's Cut: The Midnight - MONSTERS - Magnetic Magazine \|url=https://www.magneticmag.com/2020/07/the-directors-cut-the-midnight-monsters/ \|url-status=live \|archive-url=https://web.archive.org/web/20220328185656/https://www.magneticmag.com/2020/07/the-directors-cut-the-midnight-monsters/ \|archive-date=March 28, 2022 \|access-date=March 28, 2022 \|website=Magnetic Magazine}}</ref><blockquote>'''Tim''': “Helvetica” is all about those late nights spent alone, online. The pale light from the CRT screen reflecting up on our face while the world around you is fast asleep. But are connected into a world of possibility. Chat rooms & kindred spirits. Connection. What we all hoped the internet would be.</blockquote>

	== References ==		== References ==
	<references />		<references />
	[[Category:Monsters]]		[[Category:Monsters]]
	<noinclude>[[Category:Songs]]‎</noinclude>		<noinclude>
			[[Category:Songs]]‎</noinclude>
	{{#related:Monsters (song)}}		{{#related:Monsters (song)}}
	{{#related:Monsters}}		{{#related:Monsters}}
	{{#related:Brooklyn}}		{{#related:Brooklyn}}

Timothy at 21:44, 3 June 2023

2023-06-03T21:44:04Z

← Older revision		Revision as of 17:44, 3 June 2023
Line 34:		Line 34:
	}}		}}

	'''Helvetica'''<ref>{{Cite web \|date=July 10, 2020 \|title=Helvetica {{!}} The Midnight \|url=https://themidnight.bandcamp.com/track/helvetica \|url-status=live \|archive-url=https://web.archive.org/web/20211111081719/https://themidnight.bandcamp.com/track/helvetica \|archive-date=November 11, 2021 \|access-date=April 4, 2022 \|website=Bandcamp}}</ref> is a song by [[The Midnight]]. It is the ~~10th~~ track from their album [[Monsters]].		'''Helvetica'''<ref>{{Cite web \|date=July 10, 2020 \|title=Helvetica {{!}} The Midnight \|url=https://themidnight.bandcamp.com/track/helvetica \|url-status=live \|archive-url=https://web.archive.org/web/20211111081719/https://themidnight.bandcamp.com/track/helvetica \|archive-date=November 11, 2021 \|access-date=April 4, 2022 \|website=Bandcamp}}</ref> is a song by [[The Midnight]]. It is the tenth track from their album [[Monsters]].

	The song was written by band members [[Tim McEwan]] and [[Tyler Lyle]] and produced by McEwan. It has a running time of five minutes and 16 seconds and is in the key of [[wikipedia:G minor\|G minor]].		The song was written by band members [[Tim McEwan]] and [[Tyler Lyle]] and produced by McEwan. It has a running time of five minutes and 16 seconds and is in the key of [[wikipedia:G minor\|G minor]].

Timothy at 21:43, 3 June 2023

2023-06-03T21:43:51Z

@@ Line 1: / Line 1: @@
 '''Helvetica'''<ref>{{Cite web |date=July 10, 2020 |title=Helvetica {{!}} The Midnight |url=https://themidnight.bandcamp.com/track/helvetica |url-status=live |archive-url=https://web.archive.org/web/20211111081719/https://themidnight.bandcamp.com/track/helvetica |archive-date=November 11, 2021 |access-date=April 4, 2022 |website=Bandcamp}}</ref> is a song by [[The Midnight]]. It is the 10th track from their album [[Monsters]].
-== Track info ==
-{{Music|link=https://bandcamp.com/EmbeddedPlayer/album=2390823575/size=small/bgcol=333333/linkcol=f81674/track=1545438861/transparent=true/}}
+The song was written by band members [[Tim McEwan]] and [[Tyler Lyle]] and produced by McEwan. It has a running time of five minutes and 16 seconds and is in the key of [[wikipedia:G minor|G minor]].
 To create ''Helvetica'', McEwan wrote and composed the entire song in one key, sampled the entire song, and then imported it into the synthesizer program TAL-Sampler and automated the sample rate. The pitch changes constantly throughout the song, always coming back to the original key of G minor.